Login to Continue Learning
**Mariah Carey, Medley**
From the opening notes of “Sugar Sweet,” Mariah Carey faced technical issues with her microphones during her medley for this year’s Video Vanguard Award. Despite a silky robe and feathered cuffs, she appeared uncomfortable. Her performance segued into hip-hop bounces like “Fantasy” and “Honey,” but she remained distracted even as she indulged in some acting during “Obsessed.” She curtsied to fans, but seemed out of sync overall.
**Post Malone & Jelly Roll, “Losers”**
The duo performed “Losers,” a song for the outcasts and sinners, from Germany via Instagram. A prominent slide guitar drove the optimistic anthem with a slimmed-down Jelly Roll taking the second verse, while Post Malone strided beside him on the catwalk. Their performance was good-natured and relatable.
**Sabrina Carpenter, “Tears”**
For her debut at CBS’s VMAs, Sabrina Carpenter performed “Man’s Best Friend.” Rising through a manhole in a dark New York alley, she slathered her sweet tone across suggestive lyrics with coquettish glee. Her performance ended with a mild goof on “Flashdance,” leaving her soaked.
**Busta Rhymes Medley**
Busta Rhymes received the Rock the Bells Visionary Award and performed a medley of hits like “Break Ya Neck,” “Put Your Hands Where My Eyes Could See,” and “Scenario.” DJ Scratch and GloRilla joined in, sharing lyrical wordplay as Busta swung between rapping and bellowing.
**Tate McRae, “What Would You Do?,” “Sports Car”**
Performing in her white undergarments, Tate McRae segued into acrobatic dance surrounded by Speedo-clad male dancers. The performance was vigorous with leg lifts, spreads, and flames racing around the stage.
**Ricky Martin Medley**
Ricky Martin performed a medley including “Livin’ La Vida Loca,” “Vente Pa’ Ca,” “Maria,” and “La Copa de La Vida.” Stylish in black and white, he showcased his energy and vocal skills with joyful skips and grins.
**Doja Cat, “Jealous Type”**
Doja Cat performed “Jealous Type” with a caterpillar-like dance routine. Neon lights and a ‘80s vibe enhanced the performance, though it was more visual than musical.
These performances offered a mix of styles and energy, reflecting the VMAs’ commitment to balancing veterans and upstarts.
